執筆者Writer

Writer

Tanaka Atsuko, craft writer

Born 1961 in Tokyo. Graduated from Waseda University’s School of Humanities and Social Sciences. Went freelance after working at a publishing company. Member of the founding staff of the magazine Waraku (published by Shogakukan). Also helped launch kimono magazine Nanaoh (President Publishing Co.) and later became the publication’s editorial supervisor. Currently writes, edits and plans articles relating mainly to crafts, kimono, and Japanese culture. Member of the screening committee for the open-call National Traditional Craft Exhibition (Zenkoku Dentoteki Kogeihin Koboten) and the Japan Traditional Craft Artisan Association Exhibition (Nihon Dento Kogeishi Kai Sakuhinten). Publications include Kimono jibunryu: Riaru kurozu nyumon (Introduction to Personalizing Your Kimono-wearing Style; Shogakukan), Mono no migoto: Edo no iki o tsugu shokunintachi no tashika na tewaza to mei-dezain (Splendid Designs: The Craftspeople and the Outstanding Designs that Keep Alive the Edo Iki Aesthetic; Kodansha), Sarasa: Utsukushii tekisutairu dezain to sono senshoku giho (Chintz: Beautiful Textile Designs and Dyeing Techniques; Seibundo Shinkosha), Chichi no ojisan: Sakka Ozaki Kazuo to chichi no fushigi na kankei (My Father’s Uncle: Writer Ozaki Kazuo and Their Unusual Relationship; Ribun Shuppan), J-style kimono: Watashi no kimono renshucho (Japanese-style Kimono: A Guide to Wearing Kimono; Shun’yodo Shoten), and J-style utsuwa: Watashi no utsuwa renshucho (Japanese-Style Dishware: A Guide to Choosing and Using Japanese Dishware; Shun’yodo Shoten).

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Articles

Tokyo Matsuya’s Venture: Passing on Traditional Edo Karakami Skills

Tanaka Atsuko, craft writer

The beauty of a work of craft has a story behind it. Surely that story is what will shape the next generation. We discover outstanding work created by hands and hearts and report about what is happening in the world of craft today. More than twenty years ago I wrote a book about craftspeople and crafts with traditions going back to the Edo period (1603–1868)(1). The artisans were highly skilled and their works were utilitarian and beautiful. The opportunities to interview them about their lives before and during World War II were invaluable experiences, and I was heartened to sometimes encounter the next generation of artisans passing on time-honored skills…

Tanabe Chiku’unsai IV and the Future of Bamboo Craft

Tanaka Atsuko, craft writer

The beauty of a work of craft has a story behind it. Surely that story is what will shape the next generation. We will search out the outstanding work created by hands and hearts and report about what is happening in the world of craft today. Message from a Bamboo Installation Twisting, spreading, crawling, rising like a dragon or a giant serpent. A tall assemblage of bamboo reaching for the skies, pulsing with life force and expanding the possibilities of thin strips of bamboo stimulates the viewer’s imagination. Tanabe Chiku’unsai IV’s installations have gone far beyond the bounds of bamboo craft, dazzling the art world and pointing the way to…